Aside from being cast and performing in the actual show itself, callbacks can be one of the most fun and exciting parts of the entire process. You’ve already survived the anxiety of whether or not you have what it takes or if the production team liked what you have to offer. You’ve already discovered what role(s) you are being considered for and have had the time to grieve any you hoped for but didn’t receive and get excited for role(s) you do need to prep for.
The anxiety is over and now you get to play in the context of the show. While callbacks can be considered a time for intense competition, as now you can see who else is being considered, it can also be an excellent opportunity to see old friends from shows past, make new friends, and get a vibe for what the potential cast could be like. Cheer on the other actors, especially the ones being considered for your same role. You will be a better performer and overall human if you do and, psst, production teams notice things like that. Don’t compare your take on a character to other actors/singers, but you can learn from what they bring to the table. Comparison is the thief of joy, but wisdom is gained in learning from others experience.
When it comes to acting sides, try to have the material mostly memorized. Create character choices and play them with confidence, but don’t be so rigid that you forget to play off of your scene partner’s choices as well. This is a great opportunity to learn from other people, not just the ones reading your same part, but the actors who are playing the scene with you. Scenes move more fluidly and feel more natural when scene partners work together.
Many callbacks come with a singing portion. You have already shown them what you can do as a soloist, so now is your chance to share your talent as either a specific character, or as a musician in an ensemble. When working on ensemble music, learn it as well as you can before hand. Now is not the time to be learning parts and notes. Choose the part less travelled by and it will serve you well, as long as it is within your range and ability of course. Try to have it memorized if you can. When it comes to singing as a specific character, make your choices clear and confident and listen to any direction or feedback given to you.
Above all, in the grand scheme of any given show it is all about putting together the pieces that make the best show and fulfills the production teams vision of how they want to tell that particular story. Auditions are about showing what a great piece you are individually. Callbacks are about showing how your specific piece can fit into the puzzle of the show. Have fun and give it your best shot, and know that in the end, you were never a bad puzzle piece, you just might be meant for a different puzzle.

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